Embracing the Kahankar and the Ahankar: A Reflexive Inquiry into Body, Movement, and Consciousness, Interwoven with the Warli Philosophy

This article aims to deepen the understanding of existential intrasubjectivity and intersubjectivity as they relate to the body, being, and nature, as experienced through the lens of Warli philosophy, particularly the Kahankar and the Ahankar. This reflexive inquiry lies at the intersection of the author’s identity as a researcher, a dance movement therapist, and a spiritual being. The contemplation includes experiencing Nature as a witness, another facet of the Warli conviction of the profound interconnectedness with the natural world, recognizing our inherent composition as part of nature. Another dimension of engaging with this philosophy is through the practice of Authentic Movement, where the imagination, the psyche, and the soul all dance together as they are witnessed nonjudgmentally. I employed an external witness as well as used self-witnessing in the form of an “inner witness.” Lastly, it explores the dance between the body as the storyteller and the consciousness as the affirmer of the spoken word, the truth.

Authors

Institutions

Publication Details

Journal
Creative Arts in Education and Therapy
Published
2024-08-30
DOI
https://doi.org/10.15212/caet/2024/10/6
Primary Topic
Indian History and Philosophy
Type
article
Field-Weighted Citation Impact
0.00
Controls
|||
ALL TIME
JAN
FEB
MAR
APR
MAY
JUN
JUL
AUG
SEP
OCT
article

Embracing the Kahankar and the Ahankar: A Reflexive Inquiry into Body, Movement, and Consciousness, Interwoven with the Warli Philosophy

Devika Mehta Kadam
Creative Arts in Education and Therapy
Indian History and Philosophy
article

Embracing the Kahankar and the Ahankar: A Reflexive Inquiry into Body, Movement, and Consciousness, Interwoven with the Warli Philosophy

Devika Mehta Kadam
article en

Abstract

This article aims to deepen the understanding of existential intrasubjectivity and intersubjectivity as they relate to the body, being, and nature, as experienced through the lens of Warli philosophy, particularly the Kahankar and the Ahankar. This reflexive inquiry lies at the intersection of the author’s identity as a researcher, a dance movement therapist, and a spiritual being. The contemplation includes experiencing Nature as a witness, another facet of the Warli conviction of the profound interconnectedness with the natural world, recognizing our inherent composition as part of nature. Another dimension of engaging with this philosophy is through the practice of Authentic Movement, where the imagination, the psyche, and the soul all dance together as they are witnessed nonjudgmentally. I employed an external witness as well as used self-witnessing in the form of an “inner witness.” Lastly, it explores the dance between the body as the storyteller and the consciousness as the affirmer of the spoken word, the truth.

Creative Arts in Education and TherapyVol. 10(1)
University of the Witwatersrand (ZA), St. Xavier's College (Autonomous), St Xavier’s College (IN)
Openalex Percentile: Top 77%
Indian History and Philosophy
AI Navigator

Ask Laika to Summarize, Analyze, and Connect papers live on the map.

Summarize Papers & Methodologies

Extract key findings, datasets, and comparative methods across publications.

Benchmark Rankings & Visual Analytics

Rank top research institutions, authors, funders, topics, and journals by Field-Weighted Citation Impact (FWCI) and paper volume with instant charts.

Connect Distant Disciplines

Bridge topological clusters on the map to find hidden collaborative intersections.

Embracing the Kahankar and the Ahankar: A Reflexive Inquiry into Body, Movement, and Consciousness, Interwoven with the Warli Philosophy — Devika Mehta Kadam · Creative Arts in Education and Therapy (2024) | TGRS Research Map | TGRS