Listening with generative models

Perception has long been envisioned to use an internal model of the world to explain the causes of sensory signals. However, such accounts have historically not been testable, typically requiring intractable search through the space of possible explanations. Using auditory scenes as a case study, we leveraged contemporary computational tools to infer explanations of sounds in a candidate internal generative model of the auditory world (ecologically inspired audio synthesizers). Model inferences accounted for many classic illusions. Unlike traditional accounts of auditory illusions, the model is applicable to any sound, and exhibited human-like perceptual organization for real-world sound mixtures. The combination of stimulus-computability and interpretable model structure enabled 'rich falsification', revealing additional assumptions about sound generation needed to account for perception. The results show how generative models can account for the perception of both classic illusions and everyday sensory signals, and illustrate the opportunities and challenges involved in incorporating them into theories of perception.

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Institutions

Publication Details

Journal
Cognition
Published
2024-08-30
DOI
https://doi.org/10.1016/j.cognition.2024.105874
Citations
7
Primary Topic
Neuroscience and Music Perception
Type
article
Field-Weighted Citation Impact
2.40

Funders

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article

Listening with generative models

Maddie Cusimano, Luke Hewitt, Josh H. McDermott
7 citations
Cognition
Neuroscience and Music Perception
2.40
article

Listening with generative models

Maddie Cusimano, Luke Hewitt, Josh H. McDermott
article en
7 citations

Abstract

Perception has long been envisioned to use an internal model of the world to explain the causes of sensory signals. However, such accounts have historically not been testable, typically requiring intractable search through the space of possible explanations. Using auditory scenes as a case study, we leveraged contemporary computational tools to infer explanations of sounds in a candidate internal generative model of the auditory world (ecologically inspired audio synthesizers). Model inferences accounted for many classic illusions. Unlike traditional accounts of auditory illusions, the model is applicable to any sound, and exhibited human-like perceptual organization for real-world sound mixtures. The combination of stimulus-computability and interpretable model structure enabled 'rich falsification', revealing additional assumptions about sound generation needed to account for perception. The results show how generative models can account for the perception of both classic illusions and everyday sensory signals, and illustrate the opportunities and challenges involved in incorporating them into theories of perception.

CognitionVol. 253
McGovern Institute for Brain Research (US), Institute of Cognitive and Brain Sciences (US), Massachusetts Institute of Technology (US)
National Science Foundation
Peace, Justice and strong institutions
Openalex Percentile: Top 11%
Neuroscience and Music Perception
2.40
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