Solitary Listening, Copyright, and Reification during the Interwar Years: A Discourse Theoretic Approach

An utterly remarkable device [the phonograph] … and no one can as yet envision all the remarkable that may follow from this invention. Ann Charlotte Leffler (1878) 1

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Publication Details

Journal
twentieth-century music
Published
2024-08-29
DOI
https://doi.org/10.1017/s1478572224000082
Citations
3
Primary Topic
Musicology and Musical Analysis
Type
article
Field-Weighted Citation Impact
15.63
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article

Solitary Listening, Copyright, and Reification during the Interwar Years: A Discourse Theoretic Approach

Ulrik Volgsten
3 citations
twentieth-century music
Musicology and Musical Analysis
15.63
article

Solitary Listening, Copyright, and Reification during the Interwar Years: A Discourse Theoretic Approach

Ulrik Volgsten
article en
3 citations

Abstract

An utterly remarkable device [the phonograph] … and no one can as yet envision all the remarkable that may follow from this invention. Ann Charlotte Leffler (1878) 1

twentieth-century musicVol. 22(2)
Örebro University (SE)
Openalex Percentile: Top 1%
Musicology and Musical Analysis
15.63
DOIOpen Access PDFOpenAlex
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Solitary Listening, Copyright, and Reification during the Interwar Years: A Discourse Theoretic Approach — Ulrik Volgsten · twentieth-century music (2024) | TGRS Research Map | TGRS