The Power of Laughter: Emotional and Ideological Gratification in Media

This study examines the role of laughter in media content, focusing on traditional non-humorous entertainment talk shows with hosts, guests and a studio audience. The analysis, which documents over 20,000 instances of laughter in just 60 episodes (one laugh every 20 s), highlights the central role of laughter in this reality. The study concludes that: (1) hosts laughed more than guests and studio audiences; (2) in the programmes analysed, female hosts generated almost twice as much laughter as male hosts; (3) laughter followed a recognisable ‘U-shaped’ pattern, peaking at the beginning and end of the programme; (4) jokes with sexual connotations elicited the highest levels of laughter; (5) public service episodes had fewer instances of laughter; and (6) the programme with the host who laughed the most had the largest audience. In conclusion, laughter provides not only emotional, but also ideological gratification, based on the (post)modern concept of happiness.

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Publication Details

Journal
Societies
Published
2024-08-29
DOI
https://doi.org/10.3390/soc14090164
Primary Topic
Media Studies and Communication
Type
article
Field-Weighted Citation Impact
0.00

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article

The Power of Laughter: Emotional and Ideological Gratification in Media

Helena Sousa, Abílio Almeida
Societies
Media Studies and Communication
article

The Power of Laughter: Emotional and Ideological Gratification in Media

Helena Sousa, Abílio Almeida
article en

Abstract

This study examines the role of laughter in media content, focusing on traditional non-humorous entertainment talk shows with hosts, guests and a studio audience. The analysis, which documents over 20,000 instances of laughter in just 60 episodes (one laugh every 20 s), highlights the central role of laughter in this reality. The study concludes that: (1) hosts laughed more than guests and studio audiences; (2) in the programmes analysed, female hosts generated almost twice as much laughter as male hosts; (3) laughter followed a recognisable ‘U-shaped’ pattern, peaking at the beginning and end of the programme; (4) jokes with sexual connotations elicited the highest levels of laughter; (5) public service episodes had fewer instances of laughter; and (6) the programme with the host who laughed the most had the largest audience. In conclusion, laughter provides not only emotional, but also ideological gratification, based on the (post)modern concept of happiness.

SocietiesVol. 14(9)
University of Minho (PT)
Fundação para a Ciência e a Tecnologia
Gender equality
Openalex Percentile: Top 81%
Media Studies and Communication
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The Power of Laughter: Emotional and Ideological Gratification in Media — Helena Sousa, Abílio Almeida · Societies (2024) | TGRS Research Map | TGRS