Typograficzna reprezentacja choroby

This is an analysis of the applications and characteristics of the typography used in two volumes of poems, Trzysta cytryn do trzeciej potęgi tygrysa [Three Hundred Lemons to the Third Power of the Tiger] by Marcin Podlaski and żywe linie nowe usta [Live lines of new mouths] by Marcin Mokry. The aim is gain an understanding of the relationship between the text and its form. The typographical effects are examined one by one and in con-nection with their function in the author’s poetic project. Both collections are analyzed from the perspective of Jacques Rancière’s partage du sensible, i.e. a conceptual inclusion of everybody, including the mentally ill, by means of a literary form which engages both the intellect and the senses.