“Reste en écho la voix” – Itzhak Katzenelson’s Dos lid fun oysgehargetn yidishn folk in Batia Baum’s French Translation

This essay offers a discussion of Batia Baum’s translation of Katzenelson’s elegy into French. Opening with a presentation of the Maison de la culture yiddish – Bibliothèque Medem and Baum’s achievements as a translator from Yiddish, the article highlights the significance of the poem written in France during the German occupation and published in Paris shortly after WW2. In an illustrative analysis, challenges of the text are addressed and Baum’s choices are presented.

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Publication Details

Journal
Romanica Cracoviensia
Published
2024-08-23
DOI
https://doi.org/10.4467/20843917rc.24.004.19713
Citations
1
Primary Topic
German Colonialism and Identity Studies
Type
article
Field-Weighted Citation Impact
3.91
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article

“Reste en écho la voix” – Itzhak Katzenelson’s Dos lid fun oysgehargetn yidishn folk in Batia Baum’s French Translation

Magdalena Sitarz
1 citations
Romanica Cracoviensia
German Colonialism and Identity Studies
3.91
article

“Reste en écho la voix” – Itzhak Katzenelson’s Dos lid fun oysgehargetn yidishn folk in Batia Baum’s French Translation

Magdalena Sitarz
article en
1 citations

Abstract

This essay offers a discussion of Batia Baum’s translation of Katzenelson’s elegy into French. Opening with a presentation of the Maison de la culture yiddish – Bibliothèque Medem and Baum’s achievements as a translator from Yiddish, the article highlights the significance of the poem written in France during the German occupation and published in Paris shortly after WW2. In an illustrative analysis, challenges of the text are addressed and Baum’s choices are presented.

Romanica CracoviensiaVol. 24(1)
Jagiellonian University (PL)
Openalex Percentile: Top 7%
German Colonialism and Identity Studies
3.91
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