ZOUK, LAMBADA, LAMBAZOUK, BRAZILIAN ZOUK - MYTHS, TRUTHS AND EVOLUTION

This article investigates the differences between zouk, lambada and lambazouk, analyzing their origins, evolutions and myths. It is argued that zouk is a musical style originating from the French West Indies and that lambazouk is a version of lambada with new movements influenced by other styles and dances, danced to the sound of zouk music and other musical genres. The analysis is based on scientific and empirical evidence, highlighting that lambada adapts to different musical genres, but maintains its essential characteristics. Lambada is highlighted as a genuinely Brazilian dance and a cultural heritage of Porto Seguro.

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Publication Details

Journal
Revista Gênero e Interdisciplinaridade
Published
2024-08-21
DOI
https://doi.org/10.51249/gei.v5i04.2158
Primary Topic
Musicians’ Health and Performance
Type
article
Field-Weighted Citation Impact
0.00
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article

ZOUK, LAMBADA, LAMBAZOUK, BRAZILIAN ZOUK - MYTHS, TRUTHS AND EVOLUTION

Nairo Barbosa Ramos
Revista Gênero e Interdisciplinaridade
Musicians’ Health and Performance
article

ZOUK, LAMBADA, LAMBAZOUK, BRAZILIAN ZOUK - MYTHS, TRUTHS AND EVOLUTION

Nairo Barbosa Ramos
article en

Abstract

This article investigates the differences between zouk, lambada and lambazouk, analyzing their origins, evolutions and myths. It is argued that zouk is a musical style originating from the French West Indies and that lambazouk is a version of lambada with new movements influenced by other styles and dances, danced to the sound of zouk music and other musical genres. The analysis is based on scientific and empirical evidence, highlighting that lambada adapts to different musical genres, but maintains its essential characteristics. Lambada is highlighted as a genuinely Brazilian dance and a cultural heritage of Porto Seguro.

Revista Gênero e InterdisciplinaridadeVol. 5(04)
Universidade Federal de Uberlândia (BR)
Sustainable cities and communities
Openalex Percentile: Top 84%
Musicians’ Health and Performance
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