„Dostałaś raka tylko po to, aby go opisać”, czyli literacko-fotograficzna narracja o raku piersi w książce Annie Ernaux L’usage de la photo

In her book L’usage de la photo, published in France in 2005, Annie Ernaux creates an inimitable personal narration to describe her experience of living with breast cancer. The book matches photographs of things that belonged to her and her partner as they were scattered all over the place the previous day with passages chronicling of the progress of her illness and the way it invades her daily life. The article argues that the experimental form enabled the author of L’usage de la photo to find a new perspective on her record of the female experience of cancer. The article analyzes both the photo-graphic parts of the narration, which, it seems, foreshadow the nearness of death, and the literary/autobiographical parts, which contain a frank record of living with cancer.

Authors

Institutions

Publication Details

Journal
Ruch Literacki
Published
2024-08-20
DOI
https://doi.org/10.24425/rl.2023.148317
Primary Topic
Polish-Jewish Holocaust Memory Studies
Type
article
Field-Weighted Citation Impact
0.00
Controls
|||
ALL TIME
JAN
FEB
MAR
APR
MAY
JUN
JUL
AUG
SEP
OCT
article

„Dostałaś raka tylko po to, aby go opisać”, czyli literacko-fotograficzna narracja o raku piersi w książce Annie Ernaux L’usage de la photo

Agata Andrzejewska
Ruch Literacki
Polish-Jewish Holocaust Memory Studies
article

„Dostałaś raka tylko po to, aby go opisać”, czyli literacko-fotograficzna narracja o raku piersi w książce Annie Ernaux L’usage de la photo

Agata Andrzejewska
article en

Abstract

In her book L’usage de la photo, published in France in 2005, Annie Ernaux creates an inimitable personal narration to describe her experience of living with breast cancer. The book matches photographs of things that belonged to her and her partner as they were scattered all over the place the previous day with passages chronicling of the progress of her illness and the way it invades her daily life. The article argues that the experimental form enabled the author of L’usage de la photo to find a new perspective on her record of the female experience of cancer. The article analyzes both the photo-graphic parts of the narration, which, it seems, foreshadow the nearness of death, and the literary/autobiographical parts, which contain a frank record of living with cancer.

Ruch Literacki
Gestion de l'Eau, Acteurs, Usages (FR), University of Warsaw (PL)
Gender equality
Openalex Percentile: Top 78%
Polish-Jewish Holocaust Memory Studies
AI Navigator

Ask Laika to Summarize, Analyze, and Connect papers live on the map.

Summarize Papers & Methodologies

Extract key findings, datasets, and comparative methods across publications.

Benchmark Rankings & Visual Analytics

Rank top research institutions, authors, funders, topics, and journals by Field-Weighted Citation Impact (FWCI) and paper volume with instant charts.

Connect Distant Disciplines

Bridge topological clusters on the map to find hidden collaborative intersections.