Science, Life, and Art in Nietzsche’s Notes for ‘We Philologists’

Abstract The study retraces Nietzsche’s 1875 notes for the planned but never published Unfashionable Observation , We Philologists , through a specific focus on the topics of science, life and art in their close and seldom discussed interrelation. The questions that the investigation addresses are: what is the significance of Nietzsche’s problematisation of science in We Philologists for our interpretation of the topic in his later works? How should we interpret these notebooks in relation to his previous writings, on the one hand, and to his later treatment of themes like the deconstruction of Christianity, the critique of eudemonism or the historical genesis of the genius on the other? Framing the notebooks as unwittingly experimental precursors of Nietzsche’s aphoristic books, the article interprets the unique nuance of the notes as an opportunity to start shedding a different light on the discussion of these questions in Nietzsche’s later works. Science, life and art become thus the focal points of a more specific and circumscribed analysis of his early thought – reconnecting these topics to their tangible origins, and tracking their early development in the context of Nietzsche’s acclaimed switch from philology to philosophy and cultural criticism.

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Publication Details

Journal
International Journal of the Classical Tradition
Published
2024-08-19
DOI
https://doi.org/10.1007/s12138-024-00676-y
Primary Topic
Nietzsche, Schopenhauer, and Hegel
Type
article
Field-Weighted Citation Impact
0.00
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article

Science, Life, and Art in Nietzsche’s Notes for ‘We Philologists’

Neriojamil Palumbo
International Journal of the Classical Tradition
Nietzsche, Schopenhauer, and Hegel
article

Science, Life, and Art in Nietzsche’s Notes for ‘We Philologists’

Neriojamil Palumbo
article en

Abstract

Abstract The study retraces Nietzsche’s 1875 notes for the planned but never published Unfashionable Observation , We Philologists , through a specific focus on the topics of science, life and art in their close and seldom discussed interrelation. The questions that the investigation addresses are: what is the significance of Nietzsche’s problematisation of science in We Philologists for our interpretation of the topic in his later works? How should we interpret these notebooks in relation to his previous writings, on the one hand, and to his later treatment of themes like the deconstruction of Christianity, the critique of eudemonism or the historical genesis of the genius on the other? Framing the notebooks as unwittingly experimental precursors of Nietzsche’s aphoristic books, the article interprets the unique nuance of the notes as an opportunity to start shedding a different light on the discussion of these questions in Nietzsche’s later works. Science, life and art become thus the focal points of a more specific and circumscribed analysis of his early thought – reconnecting these topics to their tangible origins, and tracking their early development in the context of Nietzsche’s acclaimed switch from philology to philosophy and cultural criticism.

International Journal of the Classical TraditionVol. 31(4)
University of East Anglia (GB)
Openalex Percentile: Top 78%
Nietzsche, Schopenhauer, and Hegel
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