Visual Representations of Weddings in the Middle Ages: Reflections of Legal, Religious, and Cultural Aspects

Wedding rituals and ceremonies have been depicted in various forms of literature, art, and illuminated manuscripts in medieval times. These representations offer valuable insights into the cultural, religious, and social aspects of weddings during that period. This article considers the state of research on visual representations of the wedding ceremony in the Middle Ages and how these pictures reflect legal, religious, and cultural/social aspects of medieval life in Europe. Using examples from various religious, literary, and legal texts, several questions will be addressed: In which contexts were the pictures of wedding ceremonies created? What is depicted and what is not? Which legal, religious, and cultural aspects are reflected in the medieval visualizations of the wedding ritual and how do the visualizations correspond to the religious, legal, and cultural setting of the wedding ritual in the Middle Ages? Illuminated legal manuscripts, particularly the Liber Extra, the Decretals of Pope Gregory IX, reveal much about the rituals that signified the essence of the medieval wedding ceremony: the exchange of consent, the joining of the right hands (dextrarum iunctio), and the blessing of the union by a priest. Since the Fourth Lateran Council in 1215, marriage was considered a sacrament by the Church, making the ritual a fulcrum of religious life. However, only the consummation of a marriage was able to bring the property-related effects of marriage into effect, and some pictures from a secular context refer to this part of the wedding ceremony. The primary function of these visual representations of marriage was the illustration of the text, in both canon law manuscripts and medieval literature. Therefore, they are, besides the textual transmission, valuable sources and crucial interpretive keys for understanding the legal and socio-cultural dimensions that shaped the institution of marriage in medieval Europe.

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Publication Details

Journal
Religions
Published
2024-08-19
DOI
https://doi.org/10.3390/rel15081011
Primary Topic
Medieval Literature and History
Type
article
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article

Visual Representations of Weddings in the Middle Ages: Reflections of Legal, Religious, and Cultural Aspects

Jörg Wettlaufer
Religions
Medieval Literature and History
article

Visual Representations of Weddings in the Middle Ages: Reflections of Legal, Religious, and Cultural Aspects

Jörg Wettlaufer
article en

Abstract

Wedding rituals and ceremonies have been depicted in various forms of literature, art, and illuminated manuscripts in medieval times. These representations offer valuable insights into the cultural, religious, and social aspects of weddings during that period. This article considers the state of research on visual representations of the wedding ceremony in the Middle Ages and how these pictures reflect legal, religious, and cultural/social aspects of medieval life in Europe. Using examples from various religious, literary, and legal texts, several questions will be addressed: In which contexts were the pictures of wedding ceremonies created? What is depicted and what is not? Which legal, religious, and cultural aspects are reflected in the medieval visualizations of the wedding ritual and how do the visualizations correspond to the religious, legal, and cultural setting of the wedding ritual in the Middle Ages? Illuminated legal manuscripts, particularly the Liber Extra, the Decretals of Pope Gregory IX, reveal much about the rituals that signified the essence of the medieval wedding ceremony: the exchange of consent, the joining of the right hands (dextrarum iunctio), and the blessing of the union by a priest. Since the Fourth Lateran Council in 1215, marriage was considered a sacrament by the Church, making the ritual a fulcrum of religious life. However, only the consummation of a marriage was able to bring the property-related effects of marriage into effect, and some pictures from a secular context refer to this part of the wedding ceremony. The primary function of these visual representations of marriage was the illustration of the text, in both canon law manuscripts and medieval literature. Therefore, they are, besides the textual transmission, valuable sources and crucial interpretive keys for understanding the legal and socio-cultural dimensions that shaped the institution of marriage in medieval Europe.

ReligionsVol. 15(8)
Göttingen Academy of Sciences and Humanities (DE)
Gender equality
Openalex Percentile: Top 82%
Medieval Literature and History
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Visual Representations of Weddings in the Middle Ages: Reflections of Legal, Religious, and Cultural Aspects — Jörg Wettlaufer · Religions (2024) | TGRS Research Map | TGRS