Drawing the full picture on diverging findings: adjusting the view on the perception of art created by artificial intelligence

Abstract AI is becoming increasingly prevalent in creative fields that were thought to be exclusively human. Thus, it is non-surprising that a negative bias toward AI-generated artwork has been proclaimed. However, results are mixed. Studies that have presented AI-generated and human-created images simultaneously have detected a bias, but most studies in which participants saw either AI-generated or human-created images have not. Therefore, we propose that the bias arises foremost in a competitive situation between AI and humans. In a sample of N = 952 participants, we show that different evaluations emerge only when AI-generated and human-created pieces of art are presented simultaneously. Importantly, we demonstrate that AI art is not devalued, but rather, human art is upvalued, indicating the existence of a positive bias toward humans, rather than a negative bias. Further, we show that attitudes toward AI and empathy partially explain the different valuations of AI and human art in competitive situations.

Authors

Institutions

Publication Details

Journal
AI & Society
Published
2024-08-16
DOI
https://doi.org/10.1007/s00146-024-02020-z
Citations
14
Primary Topic
Aesthetic Perception and Analysis
Type
article
Field-Weighted Citation Impact
4.80

Funders

Controls
|||
ALL TIME
JAN
FEB
MAR
APR
MAY
JUN
JUL
AUG
SEP
OCT
article

Drawing the full picture on diverging findings: adjusting the view on the perception of art created by artificial intelligence

Siegmar Otto, Sarah Zabel, Nicolas Eric Neef, Maria Papoli
14 citations
AI & Society
Aesthetic Perception and Analysis
4.80
article

Drawing the full picture on diverging findings: adjusting the view on the perception of art created by artificial intelligence

Siegmar Otto, Sarah Zabel, Nicolas Eric Neef, Maria Papoli
article en
14 citations

Abstract

Abstract AI is becoming increasingly prevalent in creative fields that were thought to be exclusively human. Thus, it is non-surprising that a negative bias toward AI-generated artwork has been proclaimed. However, results are mixed. Studies that have presented AI-generated and human-created images simultaneously have detected a bias, but most studies in which participants saw either AI-generated or human-created images have not. Therefore, we propose that the bias arises foremost in a competitive situation between AI and humans. In a sample of N = 952 participants, we show that different evaluations emerge only when AI-generated and human-created pieces of art are presented simultaneously. Importantly, we demonstrate that AI art is not devalued, but rather, human art is upvalued, indicating the existence of a positive bias toward humans, rather than a negative bias. Further, we show that attitudes toward AI and empathy partially explain the different valuations of AI and human art in competitive situations.

AI & SocietyVol. 40(4)
University of Hohenheim (DE)
Universität Hohenheim
Openalex Percentile: Top 4%
Aesthetic Perception and Analysis
4.80
AI Navigator

Ask Laika to Summarize, Analyze, and Connect papers live on the map.

Summarize Papers & Methodologies

Extract key findings, datasets, and comparative methods across publications.

Benchmark Rankings & Visual Analytics

Rank top research institutions, authors, funders, topics, and journals by Field-Weighted Citation Impact (FWCI) and paper volume with instant charts.

Connect Distant Disciplines

Bridge topological clusters on the map to find hidden collaborative intersections.