Camera-Sourced Heart Rate Synchronicity: A Measure of Immersion in Audiovisual Experiences

Audio presentation is often attributed as being capable of influencing a viewer’s feeling of immersion during an audiovisual experience. However, there is limited empirical research supporting this claim. This study aimed to explore this effect by presenting a clip renowned for its immersive soundtrack to two groups of participants with either high-end or basic audio presentation. To measure immersion, a novel method is applied, which utilises a camera instead of an electroencephalogram (ECG) for acquiring a heart rate synchronisation feature. The results of the study showed no difference in the feature, or in the responses to an established immersion questionnaire, between the two groups of participants. However, the camera-sourced HR synchronicity feature correlated with the results of the immersion questionnaire. Moreover, the camera-sourced HR synchronicity feature was found to correlate with an equivalent feature sourced from synchronously recorded ECG data. Hence, this shows the viability of using a camera instead of an ECG sensor to quantify heart rate synchronisation but suggests that audio presentation alone is not capable of eliciting a measurable difference in the feeling of immersion in this context.

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Publication Details

Journal
Applied Sciences
Published
2024-08-16
DOI
https://doi.org/10.3390/app14167228
Primary Topic
Color perception and design
Type
article
Field-Weighted Citation Impact
0.00

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article

Camera-Sourced Heart Rate Synchronicity: A Measure of Immersion in Audiovisual Experiences

J. T. Williams, Damian Murphy, Jon Francombe
Applied Sciences
Color perception and design
article

Camera-Sourced Heart Rate Synchronicity: A Measure of Immersion in Audiovisual Experiences

J. T. Williams, Damian Murphy, Jon Francombe
article en

Abstract

Audio presentation is often attributed as being capable of influencing a viewer’s feeling of immersion during an audiovisual experience. However, there is limited empirical research supporting this claim. This study aimed to explore this effect by presenting a clip renowned for its immersive soundtrack to two groups of participants with either high-end or basic audio presentation. To measure immersion, a novel method is applied, which utilises a camera instead of an electroencephalogram (ECG) for acquiring a heart rate synchronisation feature. The results of the study showed no difference in the feature, or in the responses to an established immersion questionnaire, between the two groups of participants. However, the camera-sourced HR synchronicity feature correlated with the results of the immersion questionnaire. Moreover, the camera-sourced HR synchronicity feature was found to correlate with an equivalent feature sourced from synchronously recorded ECG data. Hence, this shows the viability of using a camera instead of an ECG sensor to quantify heart rate synchronisation but suggests that audio presentation alone is not capable of eliciting a measurable difference in the feeling of immersion in this context.

Applied SciencesVol. 14(16)
Bang & Olufsen (Denmark) (DK), University of York (GB)
Arts and Humanities Research Board
Quality Education
Openalex Percentile: Top 83%
Color perception and design
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