Stag tourism and scripted liminality

Stag party tourism is a highly ritualized contemporary rite of passage that is associated with drunken excess and norm-breaking toxic masculinity. Despite contravening societal rules and encouraging deviant behaviour, stag parties are generally tolerated. This paper explores how stag tourism is a constructed rite of passage and a scripted liminality, packaged by destination marketers, staged by service providers, and performed enthusiastically by participants. Analysis of interview and observational data suggests that the bachelor movie genre is the inspiration which informs expectations and experience. Indeed, the degree of inter-textuality between on-screen (reel life) and off-screen (real life) performances confirms that this is a scripted liminality, informed not by elders or peers, but by Hollywood film makers. We conclude with a discussion of a series of contributions and implications for practice.

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Publication Details

Journal
Annals of Tourism Research
Published
2024-08-15
DOI
https://doi.org/10.1016/j.annals.2024.103821
Citations
3
Primary Topic
Travel Writing and Literature
Type
article
Field-Weighted Citation Impact
31.07
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article

Stag tourism and scripted liminality

Lloyd C. Harris, Lisa O’Malley
3 citations
Annals of Tourism Research
Travel Writing and Literature
31.07
article

Stag tourism and scripted liminality

Lloyd C. Harris, Lisa O’Malley
article en
3 citations

Abstract

Stag party tourism is a highly ritualized contemporary rite of passage that is associated with drunken excess and norm-breaking toxic masculinity. Despite contravening societal rules and encouraging deviant behaviour, stag parties are generally tolerated. This paper explores how stag tourism is a constructed rite of passage and a scripted liminality, packaged by destination marketers, staged by service providers, and performed enthusiastically by participants. Analysis of interview and observational data suggests that the bachelor movie genre is the inspiration which informs expectations and experience. Indeed, the degree of inter-textuality between on-screen (reel life) and off-screen (real life) performances confirms that this is a scripted liminality, informed not by elders or peers, but by Hollywood film makers. We conclude with a discussion of a series of contributions and implications for practice.

Annals of Tourism ResearchVol. 108
University of Limerick (IE), Manchester School of Architecture (GB)
Decent work and economic growth
Openalex Percentile: Top 1%
Travel Writing and Literature
31.07
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