Feminist Posthumanism, Environment and “Response-Able Memory”

Abstract This article explores the entangled relationship between memory and environment through a feminist posthumanist framework while it takes seriously an ecological and response-able perspective in shaping the traumatic past and the troubled climatic present. In so doing, it introduces the concept of “response-able memory” which encourages us to reimagine the established humanist underpinnings in cultural memory studies. In order to discuss how “response-able memory” surfaces as a mode of enquiry and highly productive new strategy to accommodate nonanthropogenic and entangled ways of remembrance in the twenty-first century, this article examines Zarina Muhammad’s (b.1982, Singapore) contemporary art which is deeply entwined with a critical re-examination of local histories and silenced (female) accounts in Southeast Asia.

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Publication Details

Journal
Memory studies review.
Published
2024-08-08
DOI
https://doi.org/10.1163/29498902-20240004
Citations
8
Primary Topic
Socioeconomic Development in Asia
Type
article
Field-Weighted Citation Impact
9.06
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article

Feminist Posthumanism, Environment and “Response-Able Memory”

Deniz Gündoğan İbrişim
8 citations
Memory studies review.
Socioeconomic Development in Asia
9.06
article

Feminist Posthumanism, Environment and “Response-Able Memory”

Deniz Gündoğan İbrişim
article en
8 citations

Abstract

Abstract This article explores the entangled relationship between memory and environment through a feminist posthumanist framework while it takes seriously an ecological and response-able perspective in shaping the traumatic past and the troubled climatic present. In so doing, it introduces the concept of “response-able memory” which encourages us to reimagine the established humanist underpinnings in cultural memory studies. In order to discuss how “response-able memory” surfaces as a mode of enquiry and highly productive new strategy to accommodate nonanthropogenic and entangled ways of remembrance in the twenty-first century, this article examines Zarina Muhammad’s (b.1982, Singapore) contemporary art which is deeply entwined with a critical re-examination of local histories and silenced (female) accounts in Southeast Asia.

Memory studies review.Vol. 1(1)
Kadir Has University (TR)
Climate action
Openalex Percentile: Top 2%
Socioeconomic Development in Asia
9.06
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