Teacher participation in young children’s dramatic play

Socio-dramatic play is an everyday occurrence in early childhood education as children create narratives together in shared imagined worlds. The teacher’s role in this type of play is less clear and this paper draws on a study using Lindqvist’s “playworlds” approach to gain insight into how teachers participate in children’s play. In applying Kravtsov and Kravtsova’s concept of children’s “double subjectivity” in dramatic play, the paper argues that teachers can also maintain dual affect roles—those of teacher outside the play, and co-player within the play—to co-create with children in their dramatic play narratives. In this study, four teachers in Melbourne, Australia participated in weekly playworlds with the researcher in their kindergarten rooms, resulting in identification of a third affect role for teachers—that of “public performer.” This third affect was found to hinder teachers’ capacity to maintain simultaneous subject positions of themselves as teacher and a co-player, thereby minimizing the improvised narrative trajectory and potential of the dramatic play. We argue this third affect should be acknowledged to support teacher participation in children’s play.

Authors

Institutions

Publication Details

Journal
Journal of Early Childhood Research
Published
2024-08-11
DOI
https://doi.org/10.1177/1476718x241258604
Citations
2
Primary Topic
Child Development and Digital Technology
Type
article
Field-Weighted Citation Impact
4.19
Controls
|||
ALL TIME
JAN
FEB
MAR
APR
MAY
JUN
JUL
AUG
SEP
OCT
article

Teacher participation in young children’s dramatic play

Sarah Young, Susan Edwards, Joce Nuttall
2 citations
Journal of Early Childhood Research
Child Development and Digital Technology
4.19
article

Teacher participation in young children’s dramatic play

Sarah Young, Susan Edwards, Joce Nuttall
article en
2 citations

Abstract

Socio-dramatic play is an everyday occurrence in early childhood education as children create narratives together in shared imagined worlds. The teacher’s role in this type of play is less clear and this paper draws on a study using Lindqvist’s “playworlds” approach to gain insight into how teachers participate in children’s play. In applying Kravtsov and Kravtsova’s concept of children’s “double subjectivity” in dramatic play, the paper argues that teachers can also maintain dual affect roles—those of teacher outside the play, and co-player within the play—to co-create with children in their dramatic play narratives. In this study, four teachers in Melbourne, Australia participated in weekly playworlds with the researcher in their kindergarten rooms, resulting in identification of a third affect role for teachers—that of “public performer.” This third affect was found to hinder teachers’ capacity to maintain simultaneous subject positions of themselves as teacher and a co-player, thereby minimizing the improvised narrative trajectory and potential of the dramatic play. We argue this third affect should be acknowledged to support teacher participation in children’s play.

Journal of Early Childhood ResearchVol. 22(4)
The University of Melbourne (AU), University of Canterbury (NZ), Australian Catholic University (AU)
Quality Education
Openalex Percentile: Top 6%
Child Development and Digital Technology
4.19
AI Navigator

Ask Laika to Summarize, Analyze, and Connect papers live on the map.

Summarize Papers & Methodologies

Extract key findings, datasets, and comparative methods across publications.

Benchmark Rankings & Visual Analytics

Rank top research institutions, authors, funders, topics, and journals by Field-Weighted Citation Impact (FWCI) and paper volume with instant charts.

Connect Distant Disciplines

Bridge topological clusters on the map to find hidden collaborative intersections.