Author, Artist, Actress: China's New Women Cultural Entrepreneurs

Cutting across the boundaries of media, literature, visual arts, and cultural studies, this study examines the resurgence of cultural entrepreneurship in post-Mao China, focusing on how the new media have contributed to the rise of women cultural entrepreneurs as a new social phenomenon. It investigates the rise of China's women “cultural entrepreneurs” and their roles as tastemakers and cultural trendsetters, using three case studies from China's creative industries: author Anni Baobei, artist Cao Fei, and actress Xu Jinglei. The Chinese women cultural entrepreneurs are examined against the backdrop of the Reform-era history and growing importance of China's creative industries. Analysis explores how these entrepreneurs use the new media for content dissemination while spinning transmedia narratives about themselves. By examining female self-fashioning and the creation of the cultural entrepreneur as a new type of celebrity in China, the article aims to shed new light on the cultural and social negotiations in China's mediasphere.

Authors

Institutions

Publication Details

Journal
Journal of Current Chinese Affairs
Published
2024-08-01
DOI
https://doi.org/10.1177/18681026241269419
Citations
1
Primary Topic
Cultural Industries and Urban Development
Type
article
Field-Weighted Citation Impact
1.96

Funders

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article

Author, Artist, Actress: China's New Women Cultural Entrepreneurs

Giorgio Strafella, Daria Berg
1 citations
Journal of Current Chinese Affairs
Cultural Industries and Urban Development
1.96
article

Author, Artist, Actress: China's New Women Cultural Entrepreneurs

Giorgio Strafella, Daria Berg
article en
1 citations

Abstract

Cutting across the boundaries of media, literature, visual arts, and cultural studies, this study examines the resurgence of cultural entrepreneurship in post-Mao China, focusing on how the new media have contributed to the rise of women cultural entrepreneurs as a new social phenomenon. It investigates the rise of China's women “cultural entrepreneurs” and their roles as tastemakers and cultural trendsetters, using three case studies from China's creative industries: author Anni Baobei, artist Cao Fei, and actress Xu Jinglei. The Chinese women cultural entrepreneurs are examined against the backdrop of the Reform-era history and growing importance of China's creative industries. Analysis explores how these entrepreneurs use the new media for content dissemination while spinning transmedia narratives about themselves. By examining female self-fashioning and the creation of the cultural entrepreneur as a new type of celebrity in China, the article aims to shed new light on the cultural and social negotiations in China's mediasphere.

Journal of Current Chinese AffairsVol. 53(2)
University of St.Gallen (CH), Palacký University Olomouc (CZ)
Universität St. Gallen
Gender equality
Openalex Percentile: Top 13%
Cultural Industries and Urban Development
1.96
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