Female creators, directors and screenwriters in TV fiction production in Spain (2000 to 2020): gender inequality and characteristics of the roles

This study analyses gender inequality in TV fiction production in Spain regarding the three key positions of responsibility, namely creators, directors, and screenwriters, and the characteristics of these roles. Firstly, we recorded the gender of all the individuals identified in the sample, which consists of all television series (N = 546) broadcast from 2000 to 2020 on free-to-air television and streaming platforms. Secondly, the series in which women were involved were studied across years, channels, coverage, and genres. The results reveal that women are underrepresented in all three positions, averaging 31%. Although women creators have the highest rate of gender inequality, they have benefited the most from the arrival of streaming platforms in 2016. Furthermore, women predominantly work in mixed-gender teams with a male majority and rarely do they work solely or in all-female teams, especially among screenwriters.

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Publication Details

Journal
Feminist Media Studies
Published
2024-08-12
DOI
https://doi.org/10.1080/14680777.2024.2384419
Citations
2
Primary Topic
Gender, Feminism, and Media
Type
article
Field-Weighted Citation Impact
1.86
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article

Female creators, directors and screenwriters in TV fiction production in Spain (2000 to 2020): gender inequality and characteristics of the roles

Cande Sánchez-Olmos, Tatiana Hidalgo‐Marí
2 citations
Feminist Media Studies
Gender, Feminism, and Media
1.86
article

Female creators, directors and screenwriters in TV fiction production in Spain (2000 to 2020): gender inequality and characteristics of the roles

Cande Sánchez-Olmos, Tatiana Hidalgo‐Marí
article en
2 citations

Abstract

This study analyses gender inequality in TV fiction production in Spain regarding the three key positions of responsibility, namely creators, directors, and screenwriters, and the characteristics of these roles. Firstly, we recorded the gender of all the individuals identified in the sample, which consists of all television series (N = 546) broadcast from 2000 to 2020 on free-to-air television and streaming platforms. Secondly, the series in which women were involved were studied across years, channels, coverage, and genres. The results reveal that women are underrepresented in all three positions, averaging 31%. Although women creators have the highest rate of gender inequality, they have benefited the most from the arrival of streaming platforms in 2016. Furthermore, women predominantly work in mixed-gender teams with a male majority and rarely do they work solely or in all-female teams, especially among screenwriters.

Feminist Media StudiesVol. 25(8)
University of Alicante (ES)
Gender equality
Openalex Percentile: Top 14%
Gender, Feminism, and Media
1.86
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Female creators, directors and screenwriters in TV fiction production in Spain (2000 to 2020): gender inequality and characteristics of the roles — Cande Sánchez-Olmos, Tatiana Hidalgo‐Marí · Feminist Media Studies (2024) | TGRS Research Map | TGRS