Absolute pitch in involuntary musical imagery

Memory for isolated absolute pitches is extremely rare in Western, English-speaking populations. However, past research has found that people can voluntarily reproduce well-known songs in the original key much more often than chance. It is unknown whether this requires deliberate effort or if it manifests in involuntary musical imagery (INMI, or earworms). Participants (N = 30, convenience sample) were surveyed at random times over a week and asked to produce a sung recording of any music they were experiencing in their heads. We measured the "pitch error" of each recording to the nearest semitone by comparing participants' recordings to the original song. We found that 44.7% of recordings had a pitch error of 0 semitones, and 68.9% of recordings were within ± 1 semitone of the original song. Our results provide novel evidence that a large proportion of the population has access to absolute pitch, as revealed in their INMI.

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Publication Details

Journal
Attention Perception & Psychophysics
Published
2024-08-01
DOI
https://doi.org/10.3758/s13414-024-02936-0
Citations
2
Primary Topic
Neuroscience and Music Perception
Type
article
Field-Weighted Citation Impact
0.69
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article

Absolute pitch in involuntary musical imagery

M Evans, Nicolas Davidenko, Pablo Gaeta
2 citations
Attention Perception & Psychophysics
Neuroscience and Music Perception
0.69
article

Absolute pitch in involuntary musical imagery

M Evans, Nicolas Davidenko, Pablo Gaeta
article en
2 citations

Abstract

Memory for isolated absolute pitches is extremely rare in Western, English-speaking populations. However, past research has found that people can voluntarily reproduce well-known songs in the original key much more often than chance. It is unknown whether this requires deliberate effort or if it manifests in involuntary musical imagery (INMI, or earworms). Participants (N = 30, convenience sample) were surveyed at random times over a week and asked to produce a sung recording of any music they were experiencing in their heads. We measured the "pitch error" of each recording to the nearest semitone by comparing participants' recordings to the original song. We found that 44.7% of recordings had a pitch error of 0 semitones, and 68.9% of recordings were within ± 1 semitone of the original song. Our results provide novel evidence that a large proportion of the population has access to absolute pitch, as revealed in their INMI.

Attention Perception & PsychophysicsVol. 86(6)
University of California, Santa Cruz (US)
Openalex Percentile: Top 32%
Neuroscience and Music Perception
0.69
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