Introduzione. La memoria e la regione estetica della retorica

Within the historiographical and theoretical question of the relationship between aesthetics and rhetoric, according to which terms and concepts of aesthetics were also formed thanks to rhetoric, which circumscribes a perceptible and circumstantial sphere of reason, the present issue is dedicated to investigating a poietic idea of memory. Within this framework, the interest in memory and not imagination is legitimised precisely by the desire to analyse the productive capacity of rhetoric from the 'inferior' faculty that seems at first glance the least creative, since traditionally memory has an accumulative and conservative function. Instead, our intention is precisely to suggest, thanks to the contributions published here, how memory is not simply a place of storage, but a source of invention. A memory that is therefore the very condition of the creative act and of the passage from the already known to the possible new. The issue is thus divided into two parts: the first deals with the specific topic of poietic memory, the second explores some aspects of the more general question of the relationship between aesthetics and rhetoric.

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Publication Details

Journal
Itinera
Published
2024-08-11
DOI
https://doi.org/10.54103/2039-9251/25164
Primary Topic
Italian Literature and Culture
Type
article
Field-Weighted Citation Impact
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article

Introduzione. La memoria e la regione estetica della retorica

Amalia Salvestrini, Fosca Mariani Zini
Itinera
Italian Literature and Culture
article

Introduzione. La memoria e la regione estetica della retorica

Amalia Salvestrini, Fosca Mariani Zini
article en

Abstract

Within the historiographical and theoretical question of the relationship between aesthetics and rhetoric, according to which terms and concepts of aesthetics were also formed thanks to rhetoric, which circumscribes a perceptible and circumstantial sphere of reason, the present issue is dedicated to investigating a poietic idea of memory. Within this framework, the interest in memory and not imagination is legitimised precisely by the desire to analyse the productive capacity of rhetoric from the 'inferior' faculty that seems at first glance the least creative, since traditionally memory has an accumulative and conservative function. Instead, our intention is precisely to suggest, thanks to the contributions published here, how memory is not simply a place of storage, but a source of invention. A memory that is therefore the very condition of the creative act and of the passage from the already known to the possible new. The issue is thus divided into two parts: the first deals with the specific topic of poietic memory, the second explores some aspects of the more general question of the relationship between aesthetics and rhetoric.

Itinera(27)
Université de Tours (FR), University of Milan (IT)
Quality Education
Openalex Percentile: Top 88%
Italian Literature and Culture
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