Queer Latinx Bodies and AIDS: Joey Terrill’s “Still Here” and “Once Upon A Time”

Through two interviews conducted two years apart, the author and artist Joey Terrill offer an intimate historical trajectory rooted in the singular voice of the artist through the discussion of artworks in the exhibitions “Joey Terrill: Still Here” and “Joey Terrill: Once Upon A Time: Paintings, 1981–2015”. The method of storytelling, interview, and art representation chronicles the artist’s emotional, intellectual, and embodied experience of illness, queerness, and resistance as an HIV-positive queer Chicano.

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Publication Details

Journal
Arts
Published
2024-08-09
DOI
https://doi.org/10.3390/arts13040133
Primary Topic
Gender, Feminism, and Media
Type
article
Field-Weighted Citation Impact
0.00
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article

Queer Latinx Bodies and AIDS: Joey Terrill’s “Still Here” and “Once Upon A Time”

A. M. Reyes Salas
Arts
Gender, Feminism, and Media
article

Queer Latinx Bodies and AIDS: Joey Terrill’s “Still Here” and “Once Upon A Time”

A. M. Reyes Salas
article en

Abstract

Through two interviews conducted two years apart, the author and artist Joey Terrill offer an intimate historical trajectory rooted in the singular voice of the artist through the discussion of artworks in the exhibitions “Joey Terrill: Still Here” and “Joey Terrill: Once Upon A Time: Paintings, 1981–2015”. The method of storytelling, interview, and art representation chronicles the artist’s emotional, intellectual, and embodied experience of illness, queerness, and resistance as an HIV-positive queer Chicano.

ArtsVol. 13(4)
University of Arkansas at Fayetteville (US)
Gender equality
Openalex Percentile: Top 81%
Gender, Feminism, and Media
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Queer Latinx Bodies and AIDS: Joey Terrill’s “Still Here” and “Once Upon A Time” — A. M. Reyes Salas · Arts (2024) | TGRS Research Map | TGRS