Disrupting the estate: Katharine Pleydell-Bouverie at Coleshill

This article explores some of the ways in which queer women living in country houses have used their economic privilege and class leverage for their own purposes, disrupting and reshaping country house living to make space for their own independent endeavours. It takes as its case study the life of Katharine Pleydell-Bouverie (1895–1985), an innovative woman potter in the early British studio ceramics movement who rejected aristocratic, familial and societal expectations of duty and lineage to self-fashion an identity as an artist. Pleydell-Bouverie created a separate household on her family estate of Coleshill where she prioritised pleasurable domesticity with her female partners alongside creative expression and productivity. This essay investigates Pleydell-Bouverie's use of the estate – both the conditions it afforded her and its ecological materiality – as a resource in her experimental artistic practice and in her alternative, non-heteronormative mode of living.