Editorial

This dossier is dedicated to the investigation of a problem placed in the structure of Museology and museums: the treatment of bodies and sexualities trapped in a repetitive and isonomic to Christian-European conservative aspirations. This matrix produces the most diverse epistemological, physical and symbols in the museological field. From these violences are born abject bodies like ours, which by their color, gender, class or sexuality, are bodies currently forgotten in museums