Navigating the Narrative Space of Women: Gender and Sick Humour

Women's "narrative space" - the authority granted women's stories - exists marginally, as the concept of female story continues to compete with the perceived monopoly of the "master text." "Sick humour," an approved method of publicly reducing subject to object, principally reconstructs its target, or "butt," through the mechanism of gender identification. Exploring the culture and popularity of "sick humour," I critique the means by which sick jokes-which can in some cases effect social change-define the public awareness of three ordinary American women: Christa McAuliffe, Cathleen Webb and Lorena Bobbitt. Assessing the narrative space of these women, whose private tragedies became sensational public domain, we experience how the humour surrounding and confining women replaces their specificity with the saleable and consumable images of other female bodies.

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Publication Details

Published
2024-12-02
DOI
https://doi.org/10.18716/ojs/gefo/2006.2975
Citations
1
Primary Topic
Humor Studies and Applications
Type
article
Field-Weighted Citation Impact
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article

Navigating the Narrative Space of Women: Gender and Sick Humour

Rob Baum
1 citations
Humor Studies and Applications
article

Navigating the Narrative Space of Women: Gender and Sick Humour

Rob Baum
article en
1 citations

Abstract

Women's "narrative space" - the authority granted women's stories - exists marginally, as the concept of female story continues to compete with the perceived monopoly of the "master text." "Sick humour," an approved method of publicly reducing subject to object, principally reconstructs its target, or "butt," through the mechanism of gender identification. Exploring the culture and popularity of "sick humour," I critique the means by which sick jokes-which can in some cases effect social change-define the public awareness of three ordinary American women: Christa McAuliffe, Cathleen Webb and Lorena Bobbitt. Assessing the narrative space of these women, whose private tragedies became sensational public domain, we experience how the humour surrounding and confining women replaces their specificity with the saleable and consumable images of other female bodies.

Vol. 1(15)
Gender equality
Openalex Percentile: Top 100%
Humor Studies and Applications
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