The Memory That Dare Not Speak Its Name: Memory, Monsters and Oblivion in Japanese Popular Culture

In this paper, I aim at identifying traces of the trauma in Japanese popular and visual culture of the postwar period. Following the Freudian definition, the recollection of the traumatic event is repressed and thus constitutes an absent presence that resurfaces in compulsive repetitions either in the form of re-enactments or in the form of flashbacks. These resist conscious remembering and take on an agency of their own, that is, they are experienced as independent entities that come back to haunt the traumatized person. I thus maintain that when researching the traces of trauma in postwar Japan it is to monsters and ghosts that we need to turn. [NB: An earlier version of this paper was published as Gygi, Fabio. 2008. Mnemonic Monsters: Memory, Oblivion and Continuity in Japanese Popular Culture. Minikomi 75:5-12. We thank the editor of Minikomi, Roland Domenig (Meiji Gakuin University) for permission to republish it in a revised open-access version here.]

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Publication Details

Journal
Knowledge@UChicago (University of Chicago)
Published
2025-11-05
DOI
https://doi.org/10.71743/1vdsdd27
Citations
1
Primary Topic
Hermeneutics and Narrative Identity
Type
article
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article

The Memory That Dare Not Speak Its Name: Memory, Monsters and Oblivion in Japanese Popular Culture

Fabio Gygi
1 citations
Knowledge@UChicago (University of Chicago)
Hermeneutics and Narrative Identity
article

The Memory That Dare Not Speak Its Name: Memory, Monsters and Oblivion in Japanese Popular Culture

Fabio Gygi
article en
1 citations

Abstract

In this paper, I aim at identifying traces of the trauma in Japanese popular and visual culture of the postwar period. Following the Freudian definition, the recollection of the traumatic event is repressed and thus constitutes an absent presence that resurfaces in compulsive repetitions either in the form of re-enactments or in the form of flashbacks. These resist conscious remembering and take on an agency of their own, that is, they are experienced as independent entities that come back to haunt the traumatized person. I thus maintain that when researching the traces of trauma in postwar Japan it is to monsters and ghosts that we need to turn. [NB: An earlier version of this paper was published as Gygi, Fabio. 2008. Mnemonic Monsters: Memory, Oblivion and Continuity in Japanese Popular Culture. Minikomi 75:5-12. We thank the editor of Minikomi, Roland Domenig (Meiji Gakuin University) for permission to republish it in a revised open-access version here.]

Knowledge@UChicago (University of Chicago)
Openalex Percentile: Top 100%
Hermeneutics and Narrative Identity
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